A body of photographs across people, places, performances, and quieter observations.
A photographer standing among tall handmade forms in a desert landscape.PhotographPhotograph taken on the job. Corey D.M. Johnson. Unmodified beyond resampling: no crop, no colour grade, no compositing.
What I made
A long practice, most of it made before any of the software existed. The edit follows the images that still feel alive: nocturnal portraits, desert folk architecture, quiet water, and frames inside other frames.
How it is shown
The photographs hang as a wall rather than a catalogue: no captions under the frames, each one opening full screen. Reproduction permissions are handled per frame on request.
Where it is now
A standing edit of the film work, shown as a gallery.
A few more things worth seeing
An illuminated Art Deco cinema facade photographed at night.PhotographPhotograph taken on the job. Corey D.M. Johnson. Unmodified beyond resampling: no crop, no colour grade, no compositing.
A person in profile against soft holiday lights at night.PhotographPhotograph taken on the job. Corey D.M. Johnson. Unmodified beyond resampling: no crop, no colour grade, no compositing.
A vehicle covered in dense painted and assembled folk-art details.PhotographPhotograph taken on the job. Corey D.M. Johnson. Unmodified beyond resampling: no crop, no colour grade, no compositing.
A photographer crouched inside a vividly painted folk-art grotto.PhotographPhotograph taken on the job. Corey D.M. Johnson. Unmodified beyond resampling: no crop, no colour grade, no compositing.
A dark coastline extending into a gold and blue sunset.PhotographPhotograph taken on the job. Corey D.M. Johnson. Unmodified beyond resampling: no crop, no colour grade, no compositing.
A small sailboat framed by pale water, beach, and distant hills.PhotographPhotograph taken on the job. Corey D.M. Johnson. Unmodified beyond resampling: no crop, no colour grade, no compositing.
A solitary bus parked in a wide desert lot beneath a pale sky.PhotographPhotograph taken on the job. Corey D.M. Johnson. Unmodified beyond resampling: no crop, no colour grade, no compositing.
